Agnès Dosmas Krier

In weaving I find a parallel with architecture: the preparatory work of defining the constructive weave, the resistance of materials for the framework of a building or the warp of a weaving, the search for proportions, and of course the creation.

The passage from thread to web, from thread to volume, from thread to space is the essence of my artistic research. The relationship between the warp and the weft, but also the passage from the weft to the warp in order to create another dimension is a work that fascinates me and that I wish to deepen.

My artistic research with weaving was immediately oriented towards the creation of spaces:

• Trying to get out of the 2D weaving to explore the 3D,
• Trying to organise circulation by creating voids,
• Weaving a pattern from subtle games of stitches as the expression of a real, emotional, temporal trace,
• Organise the space by a game of repetition, a sort of constructive weft,
• Weaving but also freeing the threads which become a tablecloth in dialogue with its environment.

Agnès Dosmas Krier's work was shown in Paris as part of the group exhibition 'Les Trames du Possible, organised by the Amélie Maison d'Art gallery in September 2022. In 2023, she is taking part in the International Biennial of Textile Arts taking place until August 10, 2023 in Kranj, Slovenia. She is also taking part in the UNCLASSIFIABLE exhibition, a visual project promoted by the ARTOUT Contemporary Art Ground association in Todi, Italy.